Meta Ensemble

Cédric Delvaux, saxophone

Judith Soumillion, harp

Xavier Timmermans, viola

What do the work of a young composer that represents the unique constellation of Meta Ensemble and an opera about an Afro-American community which for the first time shows a cast of black actors, have in common?

What is the relationship between a piece that was initially received as 'nice to have written, not to listen to', but is now seen as the first initiative within contemporary music aiming at a free constellation of three instruments?